WESTERN NORTH AMERICA
83
NOTES
1. Renée Dreyfus, De Young: Selected Works, London: Scala
Publishers, 2005, pp. 8–9.
2. Herbert M. Cole, Steven G. Alpert, Christian Kaufmann,
Christina Hellmich, and Kathleen Berrin, Africa, Oceania,
the Americas, and the Jolika Collection of New Guinea Art:
Highlights from a Decade of Collecting, San Francisco: Fine
Arts Museums of San Francisco, 2009, p. 73.
3. Colin B. Bailey, Foreword of Lines on the Horizon: Native
American Art from the Weisel Family Collection, Matthew
H. Robb and Jill D’Alessandro (eds.), San Francisco: Fine Arts
Museums of San Francisco, 2013, p. 7.
4. Steven A. LeBlanc, Painted by a Distant Hand: Mimbres
Pottery from the American Southwest, Cambridge: Peabody
Museum of Archaeology and Ethnology, 2004, pp. 11–12.
5. Some Mimbres bowls have red or red-black designs,
suggesting that artists used a mixture of reduction and
oxidation fi ring techniques (ibid: 23).
6. Matthew H. Robb, “Ancient Southwestern Ceramics,” in
Lines on the Horizon: Native American Art from the Weisel
Family Collection, Matthew H. Robb and Jill D’Alessandro
(eds.), San Francisco: Fine Arts Museums of San Francisco,
2013, pp. 19–20.
7. The Navajo call themselves Diné, or “the People.”
8. Jill D’Alessandro, “Classic-Period Navajo Blankets,” in Lines
on the Horizon: Native American Art from the Weisel Family
Collection, Matthew H. Robb and Jill D’Alessandro (eds.), San
Francisco: Fine Arts Museums of San Francisco, 2013, p. 59.
9. Ibid: 59–60.
10. Kathy M’Closkey, Swept Under the Rug: A Hidden History
of Navajo Weaving, Albuquerque: University of New Mexico
Press, 2008, pp. 29, 31.
11. Ibid: 33.
12. Deborah Valoma, Scrape the Willow Until It Sings: The
Words and Work of Basket Maker Julia Parker, Berkeley:
Heyday, 2013, p. 157.
13. Alfred L. Kroeber in Ralph Shanks, Indian Baskets of Central
California: Art, Culture, and History; Native American
Basketry from San Francisco Bay and Monterey Bay North
and East to the Sierras, Lisa W. Shanks (ed.), Seattle:
University of Washington Press, p. 47.
14. Shanks 2006 op cit.: 46, 53–54.
15. Otis Tuft Mason in Valoma 2013 op cit.: 11.
16. The glass beads were likely a later addition, added sometime
after 1900.
17. Shanks 2006 op cit.: p. 54.
18. Hilary Stewart, Looking at Totem Poles, Vancouver: Douglas
& McIntyre; Seattle: University of Washington Press, 1993,
p. 33.
19. Ibid: 26.