
 
        
         
		TOM JOYCE 
 The Art of Iron 
 Tom Joyce is a MacArthur Foundation  
 Fellow, artist, and designer whose artworks are  
 in the permanent collections of the Museum of  
 Arts and Design, New York City; the Smithsonian  
 Institution, Washington, D.C.; the Detroit  
 Institute  of  Arts;  the  Minneapolis  Institute  of  
 Art; the Museum of Fine Arts–Boston; and the  
 National September 11 Memorial & Museum,  
 New York City. The study of African metalworking  
 is a passion of his and has to some degree  
 informed his artistic practice, which itself  
 was fueled by early training in the art of forging  
 iron. I visited him in his studio in Santa Fe, New  
 Mexico, where we talked about various aspects  
 of his career as an artist and about an exhibition  
 he’s co-curated for UCLA’s Fowler Museum,  
 Striking Iron: The Art of African Blacksmiths,  
 opening this summer in Los Angeles, California. 
 Kevin Conru: You’re an artist who works with  
 metal, which has been your medium of artistic  
 expression almost since the beginning of your  
 career. Would you tell us how that started? 
 Tom Joyce: I began learning how to forge iron  
 in El Rito, New Mexico, in an informal apprenticeship  
 at age fourteen. I was given the keys  
 to the shop at sixteen and eventually opened  
 my studio in Santa Fe in 1977. My sculpture is  
 made primarily there and in a factory outside  
 Chicago, whereas a design studio in Brussels  
 provides space to plan larger public art projects  
 and to develop maquettes, drawings, photographs, 
  and video. 
 K. C.: So your fi rst training was as a functional  
 blacksmith? 
 Interview by Kevin Conru 
 TRIBAL people  
 FIG. 1 (left):  
 Tom Joyce forging a sculpture  
 in a factory outside Chicago. 
 Photo © Anne-Marie Bouttiaux. 
 FIG. 2 (center left):  
 Tom Joyce outside his adobe  
 studio in Santa Fe. 
 Photo © Christopher Sturman. 
 FIG.3 (bottom left):  
 Tom Joyce sculpture  
 installation at the Center for  
 Contemporary Arts, Santa  
 Fe.  
 Left: Datum II, forged stainless  
 steel, 203 cm, 2,744 kg. 
 Right: Datum I, forged stainless  
 steel, 190 cm, 2,277 kg. 
 Background: Decalescence, forged  
 stainless steel, 4 pieces (2 visible),  
 dim. variable, 7,228 kg. 
 Photo © Daniel Barsotti.