121 21. Kongelige Bibliotek, Copenhagen, Center for Manuskripter & Boghistorie, Efterladte Papirer, ID: 1971/8. 22. Kjersmeier, 1932b. 23. Kjersmeier, 1932b. 24. Note that in his notes and writings, Kjersmeier used the term Bambara. In translating his text for this article, we have interpreted this as Bamana as the preferred usage. 25. Nationalmuseet, Copenhagen, ethnographic department archives. 26. Kecskési, 2016, fi g. 26; Musée du Quai Branly, inv. 71.1931.74.936. 27. E.g. Zahan 1980, Colleyn 2009. 28. Zahan, 1980: pl. 48. 29. Private collection archive. 30. Kulturen Lund archive. 31. Kjersmeier, 1932a: 7. 32. Published by Povl Branner, Copenhagen, 1932. 33. Kjersmeier, 1932b: 150. 34. Kjersmeier, 1932a: 321. Note that Bombax cornui is actually a soft wood. 35. Kjersmeier, 1932b. 36. Nationalmuseet, Copenhagen, ethnographic department archives. 37. Kjersmeier, 1932a: 132–133. 38. Kjersmeier, 1932b. 39. Kjersmeier, 1932b: 174. 40. Co-edited with Hugh Ford, published by Nancy Cunard at Wishart & Co., London, 1934. BIBLIOGRAPHY Bak, Sofi e Lene, 2012. Da krigen var forbi: De danske jøders hjemkomst efter Besættelsen, Copenhagen: Gyldendal. Centre de Pompidou, Paris, “L’Oeuvre Collection Kyersmeier”: online database, accessed 9/27/16. Colleyn, Jean-Paul, and Lorenz Homberger, 2006. Ciwara, chiméres africaines, Paris: Musée du Quai Branly. Colleyn, Jean-Paul, 2009. Bamana: Visions of Africa, Milan, 5 Continents Editions, pl. 53. Conru, Kevin, 2013. “Bismarck Art and the Avant-Garde,” Tribal Art, no. 69, pp. 106–125. Geografi sk Tidsskrift (the Danish Journal of Geography), 1938. Copenhagen, vol. 41. Goldwater, Robert, 1960. Bambara Sculpture from the Western Sudan. New York: Museum of Primitive Art and University Publishers. Grossman, Wendy A., 2013. Afrikansk kunst i sort og hvidt. Man Ray og Kjersmeier forbindelsen, exhibition catalog, Øregaard Museum. Holmstedt, Leif Birger, 2005. “Carl Kjersmeier: A Pioneer Among Collectors of African Art.” Tribal Art, IX-4 (no. 37), pp. 130–135. Kecskési, Maria, 2016. “Pangolin Oracles in Southern Tanzania: With Notes on Other Roles Played by the Scaly Anteater in Africa,” Tribal Art, no. 79, pp. 92–105. Kjersmeier, Carl, 1932a. Bambara-Kunst. Kendsgerninger og resultater fra en ekspedition til Fransk Vestafrika Nov. 1931–Apr. 1932. Copenhagen: Ymer, hft. 4. ————, 1932b. Paa fetischjagt i Afrika : 6000 km. i automobil gennem Fransk Sudan, Øvre Volta og Guinea, Copenhagen: Branner. ————, 1934. “Bambara Sculpture.” In Negro: An Anthology, Nancy Cunard (ed.), London: Wishart & Co., pp. 682 – 683. ———, 1935–38. Centre de Style de la Sculpture Nègre Africaine, Copenhagen: Morance, vols. I–IV. ———, 1946. “Negerskulptur.” In Serien Alverdens Kunst III, Copenhagen. Kongelige Bibliotek, Copenhagen, Center for Manuskripter & Boghistorie, Efterladte Papirer, ID: Acc. 1971/8. Lundbæk, Torben, and Poul Mørk, 1968. Afrikansk Kunst. Kjersmeiers Samling, Copenhagen: Nationalmuseet. Nationalmuseet Copenhagen, Nyere Tid og Verdens Kulturer, Carl Kjersmeier archive. Oddner, Georg and Eje Högsätt, 1986; Afrikanskt. Inspiationskälle för den moderna konsten. Malmö Konsthall. Ratton, Philippe, 2001. Tyiwara, exhibition catalog, Paris. Yde, Jens, 1962. “Carl Kjersmeier, 14th December, 1889–16th June, 1961.” In Folk: Journal of the Danish Ethnographic Society, Rhodos, vol. 4. Zahan, Dominique, 1980. Antilopes du Soleil. Arts et rites agraires d’Afrique Noire, Vienna: A. Schendl. FIG. 30 (left page): Dance crest, sogoni koun. Bamana, Mali. Before 1932. Wood. H: 55 cm. Collected in situ, Sogola, 1932. Ex Kjersmeier Collection. Nationalmuseet, Copenhagen, Denmark, inv. G8054. Photo © Nationalmuseet, Copenhagen. FIG. 31 (above): Carl Kjersmeier with locals, either before or after the dance shown in fi g. 28. Photo: private collection.
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