Page 126

XVII-4 Cover FR final_Cover

FEATURE BIBLIOGRAPHY Ades, Dawn (ed.). The Colour of My Dreams: The Surrealist Revolution in Art. Vancouver: Douglas & McIntyre, 2011. Archer, W. G., Robert Melville, and Herbert Read. 40,000 Years of Modern Art: A Comparison of Primitive and Modern. London: The Institute of Contemporary Arts, 1948. Bassani, Ezio, and Malcolm D. McLeod. Jacob Epstein, Collector. Torino, 1989. Calmels Cohen. André Breton 42, rue Fontaine: arts primitifs: vente, Paris, Drouot-Richelieu, 17 avril 2003. Paris, 2003. Conru, Kevin. Bernatzik: South Pacific. Milan: 5 Continents, 2002. Ernst Barlach Haus, Nolde Stiftung, Seebüll. Emil Nolde: Puppen, Masken und Idole. Hamburg: Corso, 2012. Force, Roland W., and Maryanne Force. Art and Artifacts of the 18th Century: Objects in the Leverian Museum as Painted by Sarah Stone. Honolulu: Bishop Museum Press, 1968. Ganeva, Mila. “Fashion Photography and Women’s Modernity in Weimar Germany: The Case of Yva.” In NWSA Journal: Gender and Modernism between the Wars, 1918–1939, Autumn 2003: 1–25. Gianinazzi, Claudio, and Christian Giordano. Extra-European Cultures: The Serge and Graziella Brignoni Collection. Lugano: Città di Lugano, 1989. Goldwater, Robert. Primitivism in Modern Art. Harvard: Belknap, 1986. Gunn, Michael. Ritual Arts of Oceania: New Ireland in the Collections of the Barbier- Mueller Museum. Edited by Skira. Milan, 1997. Heermann, Ingrid (ed.). Form Colour Inspiration: Oceanic Art from New Britain. Stuttgart: Arnoldsche, 2001. Hôtel Drouot. Collection André Breton et Paul Éluard: sculptures d’Afrique, d’Amérique, d’Océanie: vente, 2et 3 juillet. Paris, 1931. 124 Jewelryaccessories. Jewelryaccessories.com. 2010-2012. http://blog.jewelryaccessories.com/fashionphotographers/ yva-elsie-simon.html (accessed May 28, 2013). King, David Shaw. Food for the Flames: Idols and Missionaries in Central Polynesia. San Francisco: Beak Press, 2011. König, Viola, Markus Schindlbeck, Marion Melk-Koch, and Leonie Gärtner. Patrimonia 221. Berlin: Kulturstiftung der Länder, 2010. Kraftgenie. Weimar. July 14, 2010. http://weimarart.blogspot.be/2010/07/yvaelse neulander-simon.html?m=1 (accessed May 28, 2013). Krämer-Bannow, Elisabeth. Among Art- Loving Cannibals of the South Seas: Travels in New Ireland 1908–1909. Belair: Crawford House, 2009. Loudmer, Guy. Arts Primitifs: Collection Tristan Tzara et à divers amateurs: vente, jeudi 24 novembre. Paris, 1988. ———. René Gaffé: Art Tribal Collection: vente, Christie’s 8 décembre. Paris, 2001. Moore, Henry. Henry Moore at the British Museum: With Photographs by David Finn. London: British Museum, 1981. Musée de l’Homme. Arts primitifs dans les ateliers d’artistes. Paris: Société des amis du Musée de l’Homme, 1967. Museo delle Culture Città di Lugano. The Brignoni Collection: Art through Metamorphosis. Lugano: Mazzotta, 2007. Museo delle Culture Città di Lugano. The Brignoni Collection: Catalogue of the Works. Edited by Francesco Paolo Campione. Vol. II. Lugano: Mazzotta, 2007. Nolde Stiftung Seebüll. Emil Nolde—The Silent World of Things: Flowers, Masks, and Figures: 26 April to 20 October 2013. Berlin: Nolde Stiftung Seebüll. Nolde Stiftung Seebüll. Emil Nolde die Südseereise: The Journey to the South Seas 1913–1914. Cologne: DuMont Buchverlag, 2008. Nolde Stiftung Seebüll. Paul Gauguin, Emil Nolde und die Kunst der Südsee. Hermann Schmidt Mainz, 1997. Nolde, Emil, Ingried Brugger, Johann (Prinz von.) Georg Hohenzollern, and Manfred Reuther. Emil Nolde und die Südsee. Kunstforum Bank Austria, 2001. Parke-Bernet Galleries. Oceanic & African Art from the Heinrich Collection, Stuttgart-Bad Cannstatt. New York, 1967. Poncetton, F., and A. Portier. Les Arts Sauvages: Océanie. Paris: Albert Morancé, 1917. Prior, Katherine. Malagan and Brighton Museum’s New Ireland Collections. Brighton: Brighton Museum, 2011. Prior, Katherine. The Big-Mouth Fish Malagan at Brighton Museum. Brighton: Brighton Museum, 2011. Rubin, William, ed. “Primitivism” in 20th century: Affinity of the Tribal and the Modern. Vol. II. New York: The Museum of Modern Art, 1984. Rubin, William (ed.). “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern. Vol. I. New York: The Museum of Modern Art, 1984. Schindlbeck, Markus. Gefunden und verloren: Arthur Speyer, die dreissiger Jahre une die Verluste der Sammlung Südsee des Ethnologischen Museums Berlin. Staatlische Museen zu Berlin, 2012. Schindlbeck, Markus, Anette Schade, Christine Suck, and Hilke Thode-Arora. Expeditionen in die Südsee. Berlin: Staatliche Museen zu Berlin Ethnologisches Museum, 2007. Silber, Evelyn. The Sculpture of Epstein: With a Complete Catalogue. Oxford: Phaidon, 1986. Tythacott, Louise. Surrealism and the Exotic. New York: Routledge, 2003. Wentinck, Charles. Modern and Primitive Art. Oxford: Phaidon, 1979. FIG. 29: Female malangan figure. New Ireland. Wood, human hair, opercula (Turbo petholatus), pigment. H: 37 cm. Ex Hans Meyer, Leipzig, 1918; Benn Collection, Germany; Ludwig Brettschneider, Munich. Private collection. Photo © Hughes Dubois.


XVII-4 Cover FR final_Cover
To see the actual publication please follow the link above